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Goethe failed to appreciate the songs which would link his poems to musical immortality. Schubert's tonal innovations and passionate insight into the great lyrics disconcerted the poet, but brought Schubert fame as master composer long before public recognition of his symphonies. The prolific Schubert (over 600 songs in 10 years) was inspired by Goethe's verse as a prodigious young songwriter ("Gretchen am Spinnrade," his first masterpiece, was set at age 17) and stayed with the poems all his short life. The new edition includes all his versions for every lied to Goethe texts from the standard Breitkopf and Härtel complete-score edition of 1884–97. Eight-four songs (55 poems with 29 later versions) comprise this reading and playing edition, with modern literal prose translations of the poems by Stanley Appelbaum. No other one-volume edition of the famous songs is available; this volume offers authoritative complete scores, handsomely set with wide margins and strong binding, in a careful, accurate rendering of Goethe, at a price accessible to musicians, students, and all lovers of song. The songs include four versions of "Erlkönig" (The Elf King), singled out by Groves Dictionary for "the wealth of harmonic resource, the structural unity of the song, the mounting tonal climaxes"; musicologist Karl Schumann remarks that "the lashing storm rhythm . . . a wild triplet variant of Schubert's characteristic walking rhythm, was to remain an important tonal symbol for many years leading up to the opening of Wagner's 'Die Walkyrie.'" Also included are the scene from Faust, "Der Sänger," "Prometheus," ("the greatest of his lyrico-dramatic songs" — Grove's), and the Harper cycle ("There are modulations . . . of such searching expressive intensity that they almost reach the bounds of tonality; not even Beethoven's last string quartets . . . contain harmonic transitions of such audacity." — Schumann).     Contenido: Gretchen am Spinnrade (Op. 2). D.118 Nachtgesang. D.119 Trost in Thränen. D.120 Schäfers Klagelied. D.121 First Version'Second Version (Op. 3, No. 1) Sehnsucht. D.123 Scene aus Goethés 'Faust'. D.126 First Version Second Version Der Sänger. D.149 First Version (Op. posth. 117) Second VersionAm Flusse. D.160 An Mignon. D.161 First Version Second Version (Op. 19, No. 2) Nähe des Geliebten. D.162 First Version Second Version (Op. 5, No. 2) Die Liebe [Klärchen`s Lied]. D.210 Meeres Stille (Op. 3, No. 2). D.216 Wandrers Nachtlied (Op. 4, No. 3). D.224 Der Fischer (Op. 5, No. 3). D. 225 Erster Verlust (Op. 5, No. 4). D.226 Tischlied (Op. posth. 118, No. 3). D.234 Der Gott und die Bajadere. D.254 Der Rattenfänger. D.255Der Schatzgräber. D.256 Heidenröslein (Op. 3, No. 3). D.257 Bundeslied. D.258 An den Mond. D.259 Wonne der Wehmuth (Op. Posth. 115, No. 2.) D.260 Wer kauft Liebesgötter?. D.261 Die Spinnerin (Op. posth. 118, No. 6). D. 247 Liebhabler in allen Gestalten. D.588 Schweizerlied. D.559 Der Goldschmiedsgesell. D.560 Sehnsucht. D.310 First Version Second Version Mignon. D.321Harfenspieler. D.325 Geistes-Gruss. D.142 First Version Second Version Third Version Fourth Version (op. 92, No. 3) Hoffnung. D.295 First Version Second Version An den Mond. D.296 Rastlose Liebe (Op. 5, No.1). D.138 Erlkönig. D.328 First Version Second Version Third Version Fourth Version (Op.1) Harfenspieler I. part of D.478 Harfenspieler II. part of D.479 Harfenspieler III. part of D.480 Harfenspieler. part of D.480 Gesänge des Harfners (Op. 12) I. part of D.478 II. part of D.480 III. part of D.479 Lied der Mignon. D.481 Lied der Mignon. D.359 Der König in Thule (Op. 5, No. 5). D.367 Jägers Abendlied (Op. 3, No. 4). D.368 An Schwager Kronos (Op. 19, No. 1), D.369 Auf dem See. D.543 First Version Second Version (Op. 92, No. 2) Ganymed (Op. 19, No. 3). D.544 Die Liebende schreibt (Op. posth. 165, No. 1). D Prometheus. D.674 Versunken. D.715 Geheimes (Op. 14, No. 2). D.719 Grenzen der Menschheit. D.716 Mignon I. D.726 Mignon II. D.727 Suleika I (Op. 14, No. 1). D.720 Suleika II (Op. 31, No. 1). D.717 Der Musensohn. D.764 First Version Second Version (Op. 92, No. 1) An die Entfernte. D.765 Am Flusse. D.766 Wilkommen und Abschied. D.767 First Version Second Version (Op. 56, No. 1) Wandrers Nachtlied (Op. 96, No. 3). D.768 Gesänge aus 'Wilhelm Meiser'. D.877 I. 'Mignon und der Harfner.(Op. 62, No. 1) II. 'Lied der Mignon (Op. 62, No. 2) III. Lied der Mignon (Op. 62, No. 3) IV. 'Lied der Mignon (Op. 62, No. 4)

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